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AT THE INTERSECTION OF GENRES: SAMURAI FILMS OF HIDEO GOSHA

Michał Bobrowski

208-223

2014-12-28
POETRY OF THE EIGHTH JAPANESE IMPERIAL COLLECTION "SHINKOKIN WAKASHŪ" IN THE NŌ PLAYS ENTITLED "KAMO" AND "TEIKA" BY KOMPARU ZENCHIKU

Małgorzata Karolina Citko

44-63

2014-12-31
POLISEMIC MONSTERS: THE SOCIO-POLITICAL ASPECTS OF THE KAIJŪ EIGA GENRE. A CASE STUDY OF THE ORIGINAL GODZILLA

Dawid Głownia

224-243

2014-12-29
Rhetorical strategies in the madrigal genre: Marino – Morsztyn – Monteverdi

Małgorzata Lisecka

77-93

2015-12-04
THE MYSTERY OF A CERTAIN BIOGRAPHY. THE CHINESE-JAPANESE RELATIONSHIP IN THE FILM THE GO MASTER

Alicja Helman

272-283

2014-12-30
Romantic Dramatic Poem. European and Polish Development of the Genre. An Outline of the Problem

Karol Samsel

11–22

2022-11-05
MIKIO NARUSE: ON MODERNITY AND WOMEN

Krzysztof Loska

180-197

2014-12-28
New Trends in Crime Literature: Progress and Research in Russia Today (A Short Overview)

Olga Fedunina

2021-10-21
The Comfort of Crime: The Appeal of Formulaic Fiction during the Pandemic

Lucyna Krawczyk-Żywko

2021-10-27
Piotr Skarga and his film image: against the biographical myth

Sylwia Kołos

126-141

2015-05-21
Felicjan Faleński’s Ancient Dramas in the Context of Cyprian Norwid’s Inspiration Selected Representations (“Iunius Brutus”, “Sophonisbe”, “Ataulf”)

Karol Samsel

45-52

2026-03-03
City and/or Crime The Importance of Urban Scenery for the Theory of Detective Novel

Magdalena Graf, Paweł Graf

2022-04-06
Interface Instead of Convention. Embodied Letters and Media Transformations of the Epistolary Novel

Agnieszka Przybyszewska

59-78

2024-10-08
Modern Variations on the Epic „Ædnan” by Linnea Axelsson

Magdalena Wasilewska-Chmura

2022-04-14
Powers of the Novel – Eight Decades Later

Dorota Korwin-Piotrowska

13-27

2024-10-08
Leopold Tyrmand – jazzman w powojennej Polsce

Marta Wiśniewska

47-64

2020-12-22
Could H.P. Lovecraft Create a Semblance of Normality? The Ofèlia Dracs’ Operation of Genre Fiction in Catalan Literature

Alfons Gregori

75–85

2022-07-29
Toward a Concrete Drama. Isou and Successors Research Perspectives

Michał Zdunik

91–99

2022-11-05
L’univers imaginaire de H. P. Lovecraft au prisme du cinéma d’animation

Gilles Menegaldo

35–48

2022-04-06
Collapse or Reunion. Dramatic Poem at the Turn of the 19th and 20th Century

Magda Nabiałek

53–62

2022-11-05
The Absolute Archetype of the Professor The Multi-genre Structure of Artur Przybysławski’s Rabelaisian University Novels

Anna Skubaczewska-Pniewska

79-92

2024-10-08
On the Dramatic Poems of Franciszek Lasocki. Reflections After Reading "Przed wybuchem", "Całopalenia", "Po klęsce"

Maria Jolanta Olszewska

35–52

2022-11-06
Between Torun and Boryslav Auto/bio/geo/graphical Motifs in the Prose of Zdzisław Wróbel

Viktoria Durkalevych

41-57

2024-10-08
Czesław Miłosz’s “АBC’s” in the Context of Ukrainian Authors’ Essay Lexicons: Ideological and Compositional Aspects

Tetiana Shevchenko

99-110

2026-07-02
Re-writing. Krzysztof Varga’s "Hippopotamus Diary" as a Reading Strategy

Adam Regiewicz

2022-04-14

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