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• The technique of blue painting layers in Gdańsk paintings from the mid-sixteenth to the end of the eighteenth century

  Justyna Olszewska-Świetlik, Bożena Szmelter-Faustek

  345-361

  2016-06-20
• Gothic Wall Painting with the Crucifixion in the Church of the Assumption of the Blessed Virgin Mary in Toruń in the Light of Recent Studies

  Juliusz Raczkowski

  44-69

  2021-01-09
• The use of gellan gels in conservation of historic paper objects sensitive to water: research and practice

  Jolanta Czuczko, Aleksandra Cybul, Dominika Wojciechowska

  423-460

  2018-06-20
• The Research and Conservation of the Icon St. Josaphat, Bishop of Belgorod with a Reconstruction of Gilding and Puncturing

  Danuta Wiesława Stępień

  193-224

  2021-04-27
• Mixtures with Prussian Blue – colour permanence of green and blue-greenish paint layers in painting and in conservation-restoration

  Elżbieta Szmit-Naud

  299-332

  2016-12-15
• Problematyka konserwatorska obrazów na filcu na przykładzie „Martwej natury” Antoniego Zydronia

  Roma Gordon

  423-437

  2013-01-01
• Jerzy Nowosielski wall paintings in the Greek-Catholic church in Górowo Iławeckie – issues of artists’ technology and techniques

  Magdalena Kapka

  325-349

  2018-06-19
• Galloping through the Ages Conservation and Study of Józef Chełmoński’s Painting “Four-In-Hand” (1881)

  Dominika Sarkowicz, Marzena Sieklucka, Gabriela Banach-Kielanowska, Joanna Zwinczak, Justyna Kędziora, Anna Klisińska-Kopacz, Aldona Kopyciak, Paulina Krupska-Wolas, Karolina Skóra, Anna Ryguła, Michał Obarzanowski, Tomasz Wilkosz, Stanisław Tańcula, Beata Feluś, Gaja Gąsecka, Marta Matosz

  137-205

  2024-12-18
• The state of preservation of smalt in the selected Gdańsk paintings by Anton Möller (1563/5–1611), Hermann Han (1580–1627/8) and Isaac van den Blocke (before 1589 – after 1624)

  Bożena Szmelter-Fausek, Justyna Olszewska-Świetlik

  493-518

  2014-01-01
• Research on canvases and wooden supports used by Caravagesques based on paintings in Polish collections

  Mateusz Jasiński, Jerzy Nowosielski

  229-246

  2018-06-19
• Restoration of wall painting “Angel heralding the birth of Mary to Joachim” from polychromes series by Waclaw Taranczewski in the church of St. Anna in Poznań

  Angelika Lament-Kosińska

  439-448

  2016-06-20
• The Specificity of the Technique and Technology of the Byzantine-Ruthenian Paintings of the Jagiellonian Foundation

  Agata Mamoń

  147-182

  2022-01-26
• Investigations of Painting’s Technology and Techniques of the Miraculous Image of Pietà of Czarny Potok (1649)

  Anna Borowska, Maria Goryl, Małgorzata Walczak

  247-303

  2022-01-26
• Magister et discipulus The Painting Technique of Hans Bol’s Miniature from the Collection of the National Museum in Kraków in the Context of Earlier Research on Jacob Savery’s Miniature

  Zofia Maniakowska-Jazownik, Marta Matosz, Anna Ryguła, Paulina Krupska-Wolas

  2025-12-17
• Wprowadzenie

  Dariusz Markowski

  7-14

  2011-01-01
• Analysis of the Chemical Composition of Ground Layers, Gilding Foils, and Monochrome of the Antependium from the Church of St Clement in Głogów brak

  Weronika Korycka, Barbara Wagner , Magdalena Iwanicka, Barbara Łydżba-Kopczyńska

  2025-12-17
• Around the Set of Early-Modern Miniatures Painted on Parchment Donated by Konstanty Schmidt-Ciążyński in the Collection of the National Muzeum in Kraków

  Zofia Maniakowska-Jazownik, Anna Ryguła, Marta Matosz

  183-230

  2023-01-27
• Influence of Arsenic Compounds on the Colour Palette of 15th- and 16th-Century Icons from the National Museum in Cracow

  Dominika Anna Tarsińska-Petruk

  183-212

  2022-01-26
• Vincent Lesseur’s Portrait Miniatures on Ivory Studies of the Workshop on the Example of a Group of Miniatures from the Collection of the Princes Czartoryski in the National Museum in Kraków

  Zofia Maniakowska-Jazownik, Anna Ryguła, Marta Matosz

  103-135

  2024-12-18