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Found 22 items.

Painting works by Anton Möller on the background of Gdańsk’s painting workshop of the last quarter of the 16th and the first half of the 17th century

Bożena Szmelter-Faustek, Justyna Olszewska-Świetlik

133-175

2018-06-19
Technique and technology of making Bavarian wax sculpturesin 18th century Landshut workshop. A case study of the wax sculpture of Our Lady of the Bowed Head from the collection of National Museum in Poznań, Poland

Marta Pilarska, Jarosław Rogóż, Maria Rudy

519-542

2014-01-01
Trade in Copper Pigments from Świętokrzyskie Deposits in the Light of Archival Sources

Michał Witkowski, Sylwia Svorová Pawełkowicz

331-352

2021-12-05
Imitative methods to the fill the losses of the enamel decoration – retouching of colour

Arletta Piasecka, Amdrzej Podgórski, Alina Tomaszewska-Szewczyk

351-380

2018-06-19
Types of gilding and mineralogy of pigments in selected easel paintings from the 17th and 18th century from the region of the former Royal Prussia

Bożena Szmelter-Faustek, Justyna Olszewska-Świetlik, Maciej Pawlikowski

177-228

2018-06-19
The Research and Conservation of the Icon St. Josaphat, Bishop of Belgorod with a Reconstruction of Gilding and Puncturing

Danuta Wiesława Stępień

193-224

2021-04-27
Influence of Arsenic Compounds on the Colour Palette of 15th- and 16th-Century Icons from the National Museum in Cracow

Dominika Anna Tarsińska-Petruk

183-212

2022-01-26
Orpiment and Realgar Sourcing Locations in Europe, Africa and the Middle East from Antiquity until the Early 17th Century

Dominika Anna Tarsińska-Petruk

305-335

2025-02-01
Późnobarokowe polichromie ścienne w klasztorze poreformackim w Białej Podlaskiej (cz. I)

Sławomir A. Kamiński

327-348

2013-01-01
Nieinwazyjna metoda identyfikacji pigmentów in situ – badania przenośnym spektroskopem XRF obrazów olejnych Józefa Pankiewicza

Mirosław Wachowiak, Mirosław Sawczak

15-38

2010-06-01
Wprowadzenie

Dariusz Markowski

7-14

2010-06-01
Yellow organic dyes in the 19th century paints of Jan Matejko. Identification of dyestuffs, carriers and fillers

Olga Otłowska, Mirosław Wachowiak, Magdalena Śliwka-Kaszyńska, Grzegorz Trykowski

287-314

2016-06-20
Wybrane rodzaje żółtych, brązowychi czerwonych laków organicznych– wstępna metodyka badawcza

Justyna Olszewska-Świetlik, Tomasz Szymczak

297-340

2011-10-01
The technique of blue painting layers in Gdańsk paintings from the mid-sixteenth to the end of the eighteenth century

Justyna Olszewska-Świetlik, Bożena Szmelter-Faustek

345-361

2016-06-20
Vincent Lesseur’s Portrait Miniatures on Ivory Studies of the Workshop on the Example of a Group of Miniatures from the Collection of the Princes Czartoryski in the National Museum in Kraków

Zofia Maniakowska-Jazownik, Anna Ryguła, Marta Matosz

103-135

2024-12-18
Jerzy Nowosielski wall paintings in the Greek-Catholic church in Górowo Iławeckie – issues of artists’ technology and techniques

Magdalena Kapka

325-349

2018-06-19
The Specificity of the Technique and Technology of the Byzantine-Ruthenian Paintings of the Jagiellonian Foundation

Agata Mamoń

147-182

2022-01-26
Mixtures with Prussian Blue – colour permanence of green and blue-greenish paint layers in painting and in conservation-restoration

Elżbieta Szmit-Naud

299-332

2016-12-15
Magister et discipulus The Painting Technique of Hans Bol’s Miniature from the Collection of the National Museum in Kraków in the Context of Earlier Research on Jacob Savery’s Miniature

Zofia Maniakowska-Jazownik, Marta Matosz, Anna Ryguła, Paulina Krupska-Wolas

2025-12-17
Niektóre operacje technologiczne przyczyniające się do powstawania wad i nietrwałości skór wyprawionych (część 2)

Tomasz Kozielec

169-184

2011-10-01
Investigations of Painting’s Technology and Techniques of the Miraculous Image of Pietà of Czarny Potok (1649)

Anna Borowska, Maria Goryl, Małgorzata Walczak

247-303

2022-01-26
Badania konserwatorskie malowideł ściennych w kościele parafialnym pw. św. Szymona i św. Judy Tadeusza w Kosieczynie

Elżbieta Basiul

169-186

2010-01-01

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