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Linguistica Copernicana

Extraverted consciousness, introverted consciousness, and composition of lyrical discourse
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Extraverted consciousness, introverted consciousness, and composition of lyrical discourse

Authors

  • Gennadij Zeldowicz Uniwersytet Warszawski Instytut Lingwistyki Stosowanej

DOI:

https://doi.org/10.12775/LinCop.2016.015

Keywords

extraverted consciousness, introverted consciousness, lyric poetry, composition, foregrounding, backgrounding

Abstract

As is well known (Chafe 1994), two types of human consciousness can be  distinguished, one of which is extraverted consciousness presupposing that each  event is thought of as included into relevant context, related to other ‘neighboring’  events, and another one is introverted consciousness, i.e. that representing events in  a decontextualized, island-like manner. In the article it is shown that this distinction  has immediate bearing upon composition of lyrical discourse, since its foregrounded  fragments display a clear tendency towards introverted language. 

References

Chafe W., 1994, Discourse, Consciousness, and Time: The Flow and Displacement of Consciousness in Speaking and Writing, Chicago: The University of Chicago Press.

Chafe W., 2013, How Language Creates Beauty by Transcending Mundane Experience, Cognitive and Poetics Conference, Osnabrück, Germany, April, 2013, p. 25–27.

Fleischman S., 1990, Tense and Narrativity: From Medieval Performance to Modern Fiction, Austin: University of Texas Press.

Hopper P., 1979, Aspect and foregrounding in discourse, in: Givón T. (ed.). Discourse and Syntax. Syntax and Semantics, 12, N.Y., etc.: Academic Press, p. 213–241.

Hopper P., Thompson S., 1980, Transitivity in grammar and discourse, Language, 56, p. 251–299.

Hopper P., Thompson S. (eds.), 1982, Studies in Transitivity. Syntax and Semantics, 15, N.Y., etc.: Academic Press.

Leech G.N., 1969, A Linguistic Guide to English Poetry, London: Longman.

Manin D., 2012, The right word in the left place, Scientific Study of Literature, 2, N 2, p. 273–300.

Nofal K.H., 2011, Syntactic aspects of poetry: A pragmatic perspective, International Journal of Business and Social Science, 2, N 16, September 2011, p. 47–63.

Shen Y., 2007, Foregrounding in poetic discourse: between deviation and cognitive constraints, Language and Literature, 16, N 2, p. 169–181.

Talmy L., 2010, Attention phenomena, in: Geeraerts D., Cuykens H. (eds.), The Oxford Handbook of Cognitive Linguistics, Oxford: Oxford University Press, p. 264–293.

Zeldowicz G., 2015, Об одном способе маркировать дискурсивную перспективу в лирической поэзии. Композиция и референциальные связи, или В чем не правы П. Хоппер и С. Томпсон, Linguistica Copernicana, N 12, p. 245–270.

Zeldowicz G., forthcoming, Discourse new entities and composition of lyric poem: High informativeness as foregrounding device (submitted to Journal of Pragmatics).

Зельдови ч Г., 2015, О дискурсивной перспективе в лирической поэзии, Слова. Слова. Слова, Чикаго–Москва, N 2, c. 456–499.

Си льм а н Т.И., 1977, Заметки о лирике, Ленинград: Советский писатель.

Тын я нов Ю.Н., 1924/1965, Проблема стихотворного языка, Москва: Совет- ский писатель.

Яковлева Е.С., 1994, Фрагменты русской языковой картины мира (модели пространства, времени и восприятия), Москва: Гнозис.

Linguistica Copernicana

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Published

2017-06-15

How to Cite

1.
ZELDOWICZ, Gennadij. Extraverted consciousness, introverted consciousness, and composition of lyrical discourse. Linguistica Copernicana. Online. 15 June 2017. Vol. 13, pp. 301-318. [Accessed 22 December 2025]. DOI 10.12775/LinCop.2016.015.
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Vol. 13 (2016)

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