Nr 3(35)/ (2020): Ellipsis

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Nr 3(35)/ (2020): Ellipsis
Wednesday, Sep 30, 2020

pod redakcją
Bożeny Kucały i Beaty Piątek

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Wstęp
Editors’ Preface
Bożena Kucała, Beata Piątek
7–10
PDF (English)
Studia i rozprawy
Of mice and women: Pat Barker’s retelling of the “Iliad”
Izabela Curyłło-Klag
13–22
PDF (English)
The Palimpsest of the Said and the Unsaid: Peter Carey’s Search for the Past
Barbara Klonowska
23–34
PDF (English)
The Unsaid in Samuel Beckettʼs “The Unnamable”: The Subject and the Mind
Kinga Jęczmińska
35–45
PDF (English)
‘Words are few. Dying too’: Death and silence in Samuel Beckett’s “A piece of monologue” and Caryl Churchill’s “Here we go”
Aleksandra Kamińska
47–56
PDF (English)
‘Mimecstasy’ of ‘hexpression’: Semiotic explorations in Christine Brooke-Rose’s “Amalgamemnon”
Krystian Piotrowski
57–67
PDF (English)
Signification at its limits: Mark Haddon’s “The curious incident of the dog in the night- -time” and the narrative potential of graphic communication
Tomasz Dobrogoszcz
69–80
PDF (English)
Silence and fecundity in Carmen Maria Machado’s “Her body and other parties”
Katarzyna Więckowska
81–89
PDF (English)
Secrets, epiphanies and ellipses: The uses of silence in William Trevor’s selected stories
Marta Goszczyńska
91–104
PDF (English)
The ‘unspeakableness’ of life in Northern Ireland – Anna Burns’s “Milkman”
Beata Piątek
105–114
PDF (English)
Mistrzowie
Becoming dislimned: Zones of ellipsis in the essays of Brian Dillon
Teresa Bruś
117–124
PDF (English)
Materiały
The collage novel’s uses of the readymade in Tom Phillips’s “A Humument” and Graham Rawle’s “Woman’s world”
Wojciech Drąg
127-139
PDF (English)
Wywiady
“Land without God”: Interview with Gerard Mannix Flynn and Maedhbh McMahon
Katarzyna Bazarnik
143–150
PDF (English)
Varia
Northern reticence: Articulating a culture of silence in Northern Ireland
Leszek Drong
153–160
PDF (English)
Recenzje
The Cold War and the battle of the books
Bożena Kucała
163–169
PDF (English)