The collage novel’s uses of the readymade in Tom Phillips’s “A Humument” and Graham Rawle’s “Woman’s world”
DOI:
https://doi.org/10.12775/LC.2020.041Abstrakt
---Bibliografia
Banash, David 2013. Collage Culture: Readymades, Meaning, and the Age of Consumption. Amsterdam: Rodopi.
Banash, David 2018. Personal interview. 12 October. Notes. Macomb.
Brockelman, Thomas P. 2001. The Frame and the Mirror: On Collage and the Postmodern. Evanston, Northwestern University Press.
Cran, Rona 2014. Collage in Twentieth-century Art, Literature, and Culture: Joseph Cornell, William Burroughs, Frank O’Hara, and Bob Dylan. Farnham: Ashgate.
Dworkin, Craig, Kenneth Goldsmith 2011. Against Expression: An Anthology of Conceptual Writing. Evanston: Northwestern University Press.
Gibbons, Alison 2012a. “Multimodal Literature and Experimentation”. In: Joe Bray [&] Alison Gibbons [&] Brian McHale (eds.). The Routledge Companion to Experimental Literature. Abingdon: Routledge. 420–434.
Gibbons, Alison 2012b. Multimodality, Cognition, and Experimental Literature. New York: Routledge.
Jipson, Kristina 2013. “‘That/which/he/hid/reveal I’: Uncovering the Infinite in Tom Phillips’ A Humument”. Textual Practice 27, 2: 315–333.
“Kex” 1996. Eye Magazine. http://eyemagazine.com/feature/article/kex. [2.02.2019].
Krauss, Rosalind 1981. “In the Name of Picasso”. October 16: 5–22.
Krohn, Silke 2013. Foreword. In: Silke Krohn (ed.). The Age of Collage: Contemporary Collage in Modern Art. Berlin: Gestalten. 3–9.
Madden, David, Charles Bane, Sean M. Flory 2006. A Primer of the Novel: For Readers and Writers. Lanham: Scarecrow.
Markson, David 2010. This Is Not a Novel. Troyes: CB Editions.
Nelson, Maggie 2009/2017. Bluets. London: Jonathan Cape.
Nycz, Ryszard 2000. “O kolażu tekstowym: zarys dziejów pojęcia”. In: Ryszard Nycz (ed.). Tekstowy świat: poststrukturalizm a wiedza o literaturze. Kraków: Universitas. 247–292.
Olsen, Lance [&] Andi Olsen 2000. Sewing Shut My Eyes. Normal: FC2.
Olsen, Lance 2009. Head in Flames. Portland: Chiasmus.
Perloff, Marjorie 2010. Unoriginal Genius: Poetry by Other Means in the New Century. Chicago: Chicago University Press.
Pfahl, Courtney A. 2015. “‘After the / unauthor’: Fragmented Author Functions in Tom Phillips’s A Humument”. Studies in the Novel 47, 3: 399–419.
Phillips, Tom 2005. “Powder and Paste”. The Guardian, 15 October 2005. On-line: https://www.theguardian.com/books/2005/oct/15/featuresreviews.guardianreview15 [2.02.2019].
Phillips, Tom 2016a. A Humument. Final edition. London: Thames & Hudson.
Phillips, Tom 2016b. Notes on A Humument. In: Tom Phillips (ed.). A Humument. London: Thames & Hudson. 370–390.
Rawle, Graham 2017. Personal interview. 18 August. Notes. London.
Rawle, Graham 2005. Woman’s World. London: Atlantic Books.
Sackner, Marvin. “‘Humumentism’: The Works and Ideas of Tom Phillips”. Tom Phillips’s official website: http://www.tomphillips.co.uk/humument/essays/item/5867-humumentism-the-works-and-ideas-of-tom-phillips-by-marvin-sackner. [21.05.2019].
Schwabsky, Barry 2011. “Tree of Codes by Jonathan Safran Foer”. Bookforum, 14 January 2011. On-line: https://www.bookforum.com/culture/tree-of-codes-by-jonathan-safran-foer-6998 [xxxx].
“Tom Phillips”. National Portrait Gallery. https://www.npg.org.uk/collections/search/person/mp06007/tom-phillips [25.05.2019].
Pobrania
Opublikowane
Jak cytować
Numer
Dział
Statystyki
Liczba wyświetleń i pobrań: 5
Liczba cytowań: 0
