N. 3(35)/ (2020): Ellipsis

Table of contents

Wstęp

Editors’ Preface

Bożena Kucała, Beata Piątek

7–10

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Studia i rozprawy

Of mice and women: Pat Barker’s retelling of the “Iliad”

Izabela Curyłło-Klag

13–22

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The Palimpsest of the Said and the Unsaid: Peter Carey’s Search for the Past

Barbara Klonowska

23–34

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The Unsaid in Samuel Beckettʼs “The Unnamable”: The Subject and the Mind

Kinga Jęczmińska

35–45

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‘Words are few. Dying too’: Death and silence in Samuel Beckett’s “A piece of monologue” and Caryl Churchill’s “Here we go”

Aleksandra Kamińska

47–56

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‘Mimecstasy’ of ‘hexpression’: Semiotic explorations in Christine Brooke-Rose’s “Amalgamemnon”

Krystian Piotrowski

57–67

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Signification at its limits: Mark Haddon’s “The curious incident of the dog in the night- -time” and the narrative potential of graphic communication

Tomasz Dobrogoszcz

69–80

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Silence and fecundity in Carmen Maria Machado’s “Her body and other parties”

Katarzyna Więckowska

81–89

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Secrets, epiphanies and ellipses: The uses of silence in William Trevor’s selected stories

Marta Goszczyńska

91–104

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The ‘unspeakableness’ of life in Northern Ireland – Anna Burns’s “Milkman”

Beata Piątek

105–114

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Mistrzowie

Becoming dislimned: Zones of ellipsis in the essays of Brian Dillon

Teresa Bruś

117–124

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Materiały

The collage novel’s uses of the readymade in Tom Phillips’s “A Humument” and Graham Rawle’s “Woman’s world”

Wojciech Drąg

127-139

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Wywiady

“Land without God”: Interview with Gerard Mannix Flynn and Maedhbh McMahon

Katarzyna Bazarnik

143–150

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Varia

Northern reticence: Articulating a culture of silence in Northern Ireland

Leszek Drong

153–160

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Recenzje

The Cold War and the battle of the books

Bożena Kucała

163–169

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