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• Painting works by Anton Möller on the background of Gdańsk’s painting workshop of the last quarter of the 16th and the first half of the 17th century

  Bożena Szmelter-Faustek, Justyna Olszewska-Świetlik

  133-175

  2018-06-19
• The Unknown Work of Pacino di Buonaguida Found in Private Collection – Input to the Research on the Paintings of the Florentine Trecento

  Jagoda Agnieszka Marciniak

  7-41

  2021-04-27
• The organisation of liturgical space and its furnishing at the Franciscan Friars’ in late Middle Ages illustrated by an example of the Blessed Virgin Mary’s church in Toruń

  Monika Jakubek-Raczkowska, Juliusz Raczkowski

  101-132

  2018-06-19
• The technique of blue painting layers in Gdańsk paintings from the mid-sixteenth to the end of the eighteenth century

  Justyna Olszewska-Świetlik, Bożena Szmelter-Faustek

  345-361

  2016-06-20
• Investigations of Painting’s Technology and Techniques of the Miraculous Image of Pietà of Czarny Potok (1649)

  Anna Borowska, Maria Goryl, Małgorzata Walczak

  247-303

  2022-01-26
• The state of preservation of smalt in the selected Gdańsk paintings by Anton Möller (1563/5–1611), Hermann Han (1580–1627/8) and Isaac van den Blocke (before 1589 – after 1624)

  Bożena Szmelter-Fausek, Justyna Olszewska-Świetlik

  493-518

  2014-01-01
• At the Crossroads Central-European Glaziers’ Workshops Practice and New Painterly Challenges on the Example of Cracow (c. 1380–1440)

  Dobroslawa Horzela

  53-105

  2022-11-14
• The Restoration and Investigation of the Technology of Kulmbach’s Saint Catherine of Alexandria from the National Museum – the Princes Czartoryski Museum in Krakow

  Małgorzata Ewa Chmielewska

  213-246

  2022-01-26