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• The Research and Conservation of the Icon St. Josaphat, Bishop of Belgorod with a Reconstruction of Gilding and Puncturing

  Danuta Wiesława Stępień

  193-224

  2021-04-27
• „The Bigger Fear the Sheerer Delight.” On the Depictions of the Catastrophe and Calamity in the Selected Examples of the 18th and the 19th Century Paint ing in Regard to the Aesthetics of the Sublime and the Spectacle

  Filip Albert Pręgowski

  49-77

  2021-04-27
• „To be not only a painter”. The artistic discourse on realism in the 19th century French painting

  Filip Pręgowski

  247-275

  2018-06-19
• Galloping through the Ages Conservation and Study of Józef Chełmoński’s Painting “Four-In-Hand” (1881)

  Dominika Sarkowicz, Marzena Sieklucka, Gabriela Banach-Kielanowska, Joanna Zwinczak, Justyna Kędziora, Anna Klisińska-Kopacz, Aldona Kopyciak, Paulina Krupska-Wolas, Karolina Skóra, Anna Ryguła, Michał Obarzanowski, Tomasz Wilkosz, Stanisław Tańcula, Beata Feluś, Gaja Gąsecka, Marta Matosz

  137-205

  2024-12-18
• The Specificity of the Technique and Technology of the Byzantine-Ruthenian Paintings of the Jagiellonian Foundation

  Agata Mamoń

  147-182

  2022-01-26
• The Image of Our Lady of Stradów Contribution to the Research on Kraków Painting and Goldsmithing

  Wojciech Sowała

  319-340

  2023-01-27
• Selected aspects of painting technique of Alfred Wierusz-Kowalski

  Elżbieta Basiul, Magdalena Sitkiewicz

  277-301

  2018-06-19