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• On the semiotics of front covers in collections of poems by Rafał Wojaczek

  Marcin Czerwiński

  85-91

  2025-02-24
• Contemporary covers of Polish and Belarusian books. In search of the perfect form

  Kseniya Tarasevich

  195-201

  2020-07-31
• Covers and dust jackets from the „Golden Series” of FNP Monographs – an attempt to analyze of the graphic creation process

  Dorota Ucherek

  173-194

  2020-07-31
• Semantic relations between the binding and the content of selected books by Maria Janion in the communicative perspective

  Jakub Rawski

  101-110

  2025-02-24
• Covers with “Karakter”. On projects by Przemek Dębowski

  Dorota Ucherek

  111-128

  2025-02-24
• The contemporary “textual image” and the “image of the text”. The significance and role of the cover

  Anna Folta-Rusin

  21-30

  2025-02-24
• Binding, cover, dust jacket and other forms document’s protection as a museum object (on the example of collection of Department of Publishing Art at National Museum in Wrocław)

  Jakub Maciej Łubocki

  159-175

  2025-02-24
• Duet Bednarczyków i ich Oficyna Poetów i Malarzy. Ukryte między okładkami

  Justyna Gorzkowicz

  63-75

  2025-02-24
• Half a century of covers for Miron Białoszewski’s “A Memoir of the Warsaw Uprising”

  Adam Poprawa

  77-83

  2025-02-24
• How to judge a “Book by its cover”?

  Daria Makulec

  242-244

  2022-12-01
• The book cover – a showcase of publisher

  Dorota Piekarczyk

  31-39

  2025-02-24
• The aesthetics of Toruń’s printed matter in the years 1945–1950

  Wanda A. Ciszewska

  81-92

  2014-05-21
• Preface

  Justyna Bajda, Olga Taranek-Wolańska, Dorota Ucherek

  5-7

  2025-02-24
• Editorial form of the “Przyjaciółka” weekly – inspirations and changes. Part 1: 1948–1956

  Katarzyna Wodniak

  177-194

  2022-12-01
• Different form: art book as a reinterpretation of “black art”

  Anna Juchnowicz

  219-222

  2022-12-01