Signs of Life in the Figure of the Shroud of Turin

Bernardo Hontanilla Calatayud

DOI: http://dx.doi.org/10.12775/SetF.2020.001

Abstract


In this article several signs of life present in the Shroud of Turin are pointed out. Following the development of rigor mortis, the body posture of the image on the Shroud is analyzed. This, together with the presence of specific facial folds indicate that the person wrapped in it is alive. Therefore, the image on the Shroud of Turin shows both signs of death and life in a person whose image was imprinted when he was alive. If this is a fraud case, it should be considered as an artwork performed by a genius with medical, forensic and image processing knowledge from at least the XX century. But if we read the Gospels, a (perfect) remarkable symmetry is found between the data obtained from the image and the events described in the Gospels, both regarding the death and resurrection of Jesus.  


Keywords


Shroud of Turin; rigor mortis; facial folds; Resurrection

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