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Theology and Man

Harmony of theology, law and cosmology exemplified in the use of scale motif through the art of pre-modern times
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Harmony of theology, law and cosmology exemplified in the use of scale motif through the art of pre-modern times

Authors

  • Karol Dobrzeniecki Wydział Prawa i Administracji Uniwersytetu Mikołaja Kopernika w Toruniu

DOI:

https://doi.org/10.12775/TiCz.2015.022

Keywords

harmony of law and theology, symbol of scales, psychostasis

Abstract

The aim of this article is to arrange iconographic types and contexts in which scales occurred before the 15th century in European art. It attempts to shed the light on scales as a symbol present in global culture from Antiquity to the late Middle Ages. The motive was present in art from the earliest times. The article is devoted to the symbolic relationship between scales and different aspects of justice with some references to other virtues, phenomena, professions and social practices associated in paintings with balance. Most of the presented pieces of art are paintings, with a few exceptions for particularly interesting cases of prints and architectural details. Author attempts to answer crucial questions. What were the meanings attributed to scales? How have these meanings evolved and whether the interpretation of the symbol was influenced by the ethos characteristic for particular periods and geographical spaces, as well as transient fashions, religious and political changes? Particularly worth examining are semantic shifts in perception of the symbol.  

Theology and Man

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Published

2016-01-26

How to Cite

1.
DOBRZENIECKI, Karol. Harmony of theology, law and cosmology exemplified in the use of scale motif through the art of pre-modern times. Theology and Man. Online. 26 January 2016. Vol. 30, no. 2, pp. 79-94. [Accessed 12 March 2026]. DOI 10.12775/TiCz.2015.022.
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Issue

Vol. 30 No. 2 (2015)

Section

ARTICLES

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Number of views and downloads: 4538
Number of citations: 0

ISSN/eISSN

ISSN: 1731-5638

eISSN: 2391-7598

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