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Scientia et Fides

Signs of Life in the Figure of the Shroud of Turin
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Signs of Life in the Figure of the Shroud of Turin

Authors

  • Bernardo Hontanilla Calatayud Catedrático de Cirugía Plástica, Estética y Reparadora. Depto. Cirugía Plástica, Estética y Reparadora. Clínica Universidad de Navarra, Pamplona https://orcid.org/0000-0001-6186-4791

DOI:

https://doi.org/10.12775/SetF.2020.001

Keywords

Shroud of Turin, rigor mortis, facial folds, Resurrection

Abstract

In this article several signs of life present in the Shroud of Turin are pointed out. Following the development of rigor mortis, the body posture of the image on the Shroud is analyzed. This, together with the presence of specific facial folds indicate that the person wrapped in it is alive. Therefore, the image on the Shroud of Turin shows both signs of death and life in a person whose image was imprinted when he was alive. If this is a fraud case, it should be considered as an artwork performed by a genius with medical, forensic and image processing knowledge from at least the XX century. But if we read the Gospels, a (perfect) remarkable symmetry is found between the data obtained from the image and the events described in the Gospels, both regarding the death and resurrection of Jesus.  

Author Biography

Bernardo Hontanilla Calatayud, Catedrático de Cirugía Plástica, Estética y Reparadora. Depto. Cirugía Plástica, Estética y Reparadora. Clínica Universidad de Navarra, Pamplona

Director Dept. Cirugía Plástica, estética y Reparadora

Clínica Universidad de Navarra

Catedrático de Cirugía Plástica, Estética y Reparadora. Universiad de Navarra. Acreditado ANECA

References

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Scientia et Fides

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Published

2019-12-23

How to Cite

1.
HONTANILLA CALATAYUD, Bernardo. Signs of Life in the Figure of the Shroud of Turin. Scientia et Fides. Online. 23 December 2019. Vol. 8, no. 1, pp. 9-31. [Accessed 9 July 2025]. DOI 10.12775/SetF.2020.001.
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