Demon Antona Rubinsteina - między tradycją zachodnią i rosyjską (analiza wybranych zagadnień)
DOI:
https://doi.org/10.12775/LL.4-5.2017.007Klíčová slova
demon, Anton Rubinstein, muzyka rosyjska, rosyjska szkoła narodowa, operaAbstrakt
Artykuł stanowi analizę jedynej zachowanej opery Antona Rubinsteina Demon (1875) w dwóch kontekstach: po pierwsze, jako uniwersalnej opowieści o baśniowym podłożu, reprezentowanej przez bohatera bajronicznego, odniesionej do romantycznej tradycji Zachodu; oraz, po drugie, jako przejawu wpływów rosyjskiej szkoły narodowej (Moguczaja Kuczka) na twórczość Rubinsteina. W tym celu szczegółowo opracowane zostaną w tekście wątki opery sakralnej (wpływ tradycji francuskiej), funkcji i struktury wybranych motywów przewodnich w kreowaniu postaci (wpływ tradycji niemieckiej) oraz późniejszego oddziaływania opery na Eugeniusza Oniegina (1879) Piotra Czajkowskiego.Reference
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