Koniec narracji triumfalistycznej w fan studies
DOI:
https://doi.org/10.12775/ll.2.2021.010Abstract
Recenzja: Mel Stanfill, Exploiting Fandom: How the Media Industry Seeks to Manipulate Fans, University of Iowa Press, Iowa 2019.
Literaturhinweise
Bacon-Smith, C. (1992). Enterprising women: Television fandom and the creation of popular myth. Philadelphia: University of Pennsylvania Press.
Busse, K. (2015). Fan Labor and Feminism: Capitalizing on the Fannish Labor of Love. Cinema Journal, 54(3), 110-115. doi: https://doi.org/10.1353/cj.2015.0034
Jenkins, H. (1992). Textual Poachers: Television Fans & Participatory Culture. Studies in culture and communication. New York: Routledge.
Jenkins, H. (2006). Convergence Culture: Where Old and New Media Collide. New York: New York University Press.
Lewis, L. A. (ed.) (1992). The adoring audience: Fan culture and popular media. London: Routledge.
Scott, S. (2019). Fake geek girls: Fandom, Gender, and the Convergence Culture Industry. New York: New York University Press.
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