Koniec narracji triumfalistycznej w fan studies

Auteurs-es

DOI :

https://doi.org/10.12775/ll.2.2021.010

Résumé

Recenzja: Mel Stanfill, Exploiting Fandom: How the Media Industry Seeks to Manipulate Fans, University of Iowa Press, Iowa 2019.

Références

Bacon-Smith, C. (1992). Enterprising women: Television fandom and the creation of popular myth. Philadelphia: University of Pennsylvania Press.

Busse, K. (2015). Fan Labor and Feminism: Capitalizing on the Fannish Labor of Love. Cinema Journal, 54(3), 110-115. doi: https://doi.org/10.1353/cj.2015.0034

Jenkins, H. (1992). Textual Poachers: Television Fans & Participatory Culture. Studies in culture and communication. New York: Routledge.

Jenkins, H. (2006). Convergence Culture: Where Old and New Media Collide. New York: New York University Press.

Lewis, L. A. (ed.) (1992). The adoring audience: Fan culture and popular media. London: Routledge.

Scott, S. (2019). Fake geek girls: Fandom, Gender, and the Convergence Culture Industry. New York: New York University Press.

Literatura Ludowa. Journal of Folklore and Popular Culture

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Publié-e

2021-11-22

Comment citer

1.
URBAŃCZYK, Agnieszka. Koniec narracji triumfalistycznej w fan studies. Literatura Ludowa. Journal of Folklore and Popular Culture. Online. 22 novembre 2021. Vol. 65, no. 2. [Accessed 3 juillet 2025]. DOI 10.12775/ll.2.2021.010.

Numéro

Vol. 65 No. 2 (2021): The dark side of fandom

Rubrique

Reviews and Discussions

Licence

© Agnieszka Urbańczyk 2021

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