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Litteraria Copernicana

The tender reader, or, trivializing Flannery O’Connor
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The tender reader, or, trivializing Flannery O’Connor

Autori

  • Beata Williamson Uniwersytet Gdański https://orcid.org/0000-0002-5086-9463

DOI:

https://doi.org/10.12775/LC.2025.003

Parole chiave

Flannery O’Connor, stories, characters, emotions

Abstract

In this study, I interpret five short stories from Flannery O’Connor’s first published collection, A Good Man Is Hard to Find (1955): “The Life You Save May Be Your Own,” “A Stroke of Good Fortune,” “A Temple of the Holy Ghost,” “A Late Encounter with the Enemy,” and “Good Country People.” Each of the stories contains elements of the macabre, biting humor, or physical and psychological violence, so characteristic for the writer. Yet, less characteristically, each of them ends somewhat positively, sparing the reader the feeling of discomfort, which O’Connor usually serves. Thus encouraged, in search of apparently insignificant readerly comforts, I analyze the stories through the perspective of emotions, arguing that her repulsive, grotesque characters take on human qualities when viewed with compassion. O’Connor’s texts contain considerable evidence that allows for the above reading. In this interpretation, the horror and disgust traditionally associated with the author’s characters are replaced by tenderness, and the audience feels joy in discovering that the characters manage to defend themselves from dehumanization.

Riferimenti bibliografici

Arnould-Bloomfield, Elizabeth 2015. “Posthuman Compassions.” PMLA 130, 5 (October): 1467–1475.

Bevilacqua, Kathryne 2014. “History Lessons from Gone with the Wind.” The Mississippi Quarterly 67.1 (winter): 99–126.

Bloom, Harold 2009. Introduction. In: Harold Bloom (ed). Bloom’s Modern Critical Views: Flannery O’Connor. New York: Infobase.

Chmiołek, Alicja 2016. „‘Pisarka pisząca jak mężczyzna’: Flannery O’Connor a literacki kanon.” In: Ewa Graczyk [&] Magdalena Bulińska [&] Elwira Kamoli (ed.). Literatura. Kanon. Gender. Trudne pytania, ciekawe odpowiedzi. Gdańsk: Wydawnictwo Uniwersytetu Gdańskiego.

Dobson, Joanne 1997. “Reclaiming Sentimental Literature.” American Literature 69, 2 (June): 263–288.

Dunne, Michael 2009. “Funny Because It Is Terrible.” In: Harold Bloom (red). Bloom’s Modern Critical Views: Flannery O’Connor. New York: Infobase.

Felski, Rita 2008. Uses of Literature. Malden: Blackwell.Halpern, Faye 2018. “Beyond Contempt: Ways to Read Uncle Tom’s Cabin.” PMLA 133, 3 (May): 633–639.

Hawthorne, Nathaniel 1852. Life of Franklin Pierce. Boston: Ticknor, Reed, and Fields.

Jensen, Katherine Ann [&] Miriam L. Wallace 2015. “Introduction—Facing Emotions.” PMLA 130.5 (October): 1249–1268.

Oates, Joyce Carol 2009. “The Action of Mercy.” In: Harold Bloom (ed). Bloom’s Modern Critical Views: Flannery O’Connor. New York: Infobase.

O’Connor, Flannery 1976. A Good Man Is Hard to Find and Other Stories. Orlando: Hartcourt.

O’Connor, Flannery 2012. Mystery and Manners: Occasional Prose, Selected and Edited by Sally and Robert Fitzgerald. E-book edition. New York: Farrar, Straus and Giroux.

Pahl, Katrin 2015. “The Logic of Emotionality.” PMLA 130, 5 (October): 1457–1466.

Weinstein, Philip M. 2009. „‘Coming Unalone’: Gesture and Gestation in Faulkner and O’Connor.” In: Harold Bloom (ed). Bloom’s Modern Critical Views: Flannery O’Connor. New York: Infobase.

Litteraria Copernicana

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Pubblicato

2025-10-01

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  • 2025-10-13 (2)
  • 2025-10-01 (1)

Come citare

1.
WILLIAMSON, Beata. The tender reader, or, trivializing Flannery O’Connor. Litteraria Copernicana. Online. 1 ottobre 2025. Vol. 51, no. 1-2, pp. 23-33. [Accessed 26 marzo 2026]. DOI 10.12775/LC.2025.003.
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V. 51 N. 1-2 (2025): Flannery O'Connor: Letters – Essays – Fiction – Grace

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Studia i rozprawy

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Copyright (c) 2025 Beata Williamson

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Questo lavoro è fornito con la licenza Creative Commons Attribuzione - Non opere derivate 4.0 Internazionale.

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