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• ORIENT LIGHT? THE IMAGE OF JAPAN IN AMERICAN POPULAR CINEMA OF THE LAST DECADE

  Karolina Robaczek

  284-293

  2014-12-29
• MYSTERY IN TECHNO-HORROR. ON THE EXAMPLE OF KAIRO (2001) BY KIYOSHI KUROSAWA

  Małgorzata Major

  262-271

  2014-12-28
• (POP)CULTURE AFTER ROCK AND ROLL. REMARKS ON JAPANESE EXPERIMENTAL MUSIC

  Dariusz Brzostek

  326-341

  2014-12-28
• POLISEMIC MONSTERS: THE SOCIO-POLITICAL ASPECTS OF THE KAIJŪ EIGA GENRE. A CASE STUDY OF THE ORIGINAL GODZILLA

  Dawid Głownia

  224-243

  2014-12-29
• AT THE INTERSECTION OF GENRES: SAMURAI FILMS OF HIDEO GOSHA

  Michał Bobrowski

  208-223

  2014-12-28
• Koniec Wielkiego Niemowy? Uwagi o „rolach mówionych” w pierwszych latach kina dźwiękowego

  Piotr Skrzypczak

  107-117

  2016-04-15
• Henry James Goes to the Opera

  Michael Halliwell

  99-121

  2017-02-24
• The Materiality of Ghosts in “The Bench of Desolation” (1910): An Exploration of the Pocket Metaphor

  Sonoko Saito

  61-73

  2017-02-24
• Absurdski Village, Bulgaria The plays of Yordan Radichkov and their relation to the Theatre of the Absurd

  Petar Kaukov

  13-24

  2024-03-02
• The crystal of eternity and the matter of events The Christian message in Flannery O’Connor’s works

  Anna Głąb

  47-61

  2025-10-01
• Hazel Motes, war veteran “Wise blood” and the early theorization of shell-shock

  Joseph Kuhn

  77-91

  2025-10-01
• Au « DEAR WHITE PEOPLE » : Lovecraft Country, une série contre Lovecraft ?

  Isabelle-Rachel Casta

  23–33

  2022-04-06
• The Ethics of Empathy About the Status of Compassion in Literary Ethical Criticism

  Zuzanna Sala

  35–46

  2022-11-09