"Narcyz" Szymanowskiego – reinterpretacja mitu w muzycznej narracji
DOI:
https://doi.org/10.12775/LC.2018.048Słowa kluczowe
Karol Szymanowski, Narcyz, mit, narracja, narratologiaAbstrakt
Artykuł stanowi analizę Narcyza Karola Szymanowskiego przy pomocy narzędzi zaczerpniętych z teorii mitu oraz teorii narracji. Do analizy tej wykorzystano przede wszystkim koncepcje Claude’a Léviego-Straussa, Rolanda Barthes’a, Eero Tarastiego, Tzvetana Todorova oraz Williama Labova. Analiza ma odpowiedzieć na pytanie, jaki wariant mitu prezentuje w swoim utworze Szymanowski i w jakim zakresie wariant ten stanowi dopełnienie klasycznego ujęcia opowieści o Narcyzie. Przebieg analizy obejmuje wyodrębnienie materiału tematycznego, zestawienie go ze schematem narracji Labova oraz porównanie uzyskanego schematu z tradycyjną formą sonatową. Dodatkowymi czynnikami poddanymi analizie są metrum i tempo. W konkluzji wskazano na możliwości nowej interpretacji mitu w jego muzycznej wersji zaproponowanej przez Szymanowskiego.
Bibliografia
Bal, Mieke 2009. „Introduction”. W: M. Bal. Narratology: Introduction to the Theory of Narrative. Toronto: University of Toronto Press.
Baroni, Raphaël 2014. „Tellability”. W: Peter Hühn, John Pier, Wolf Schmid, Jörg Schönert (eds.). Handbook of Narratology. Vol. 1. Berlin: de Gruyter.
Barta, Peter I. 2000a. „Echo and Narcissus in Russian Symbolism”. W: P. I. Barta (ed.). Metamorphoses in Russian Symbolism. Budapest: Central European University Press.
Barta, Peter I. 2000b. „Introduction”. W: P. I. Barta (ed.). Metamorphoses in Russian Symbolism. Budapest: Central European University Press.
Barthes, Roland 1989. The Rustle of Language. Transl. by R. Howard. Berkeley–Los Angeles: University of California Press.
Barthes, Roland 2004. „History and Sociology of Clothing: Some Methodological Observations”. W: R. Barthes. The Language of Fashion. Transl. by A. Stafford. London–New York: Bloomsbury.
Bätschmann, Oskar 1990. Nicolas Poussin: Dialectics of Painting. Vol. 1. London: Reaktion Books.
Bowles, Hugo 2010. „Tellability: Discourse Features and Strategies”. W: H. Bowles. Storytelling and Drama: Exploring Narrative Episodes in Plays. Amsterdam–Philadelphia: John Benjamins Publishing Company.
Chatman, Seymour B. 1978. „Story: Events. Sequence, Contingency, Causality”. W: S. B. Chatman. Story and Discourse: Narrative Structure in Fiction and Film. London: Cornell University Press.
Cohen, Kathleen 1973. Metamorphosis of a Death Symbol: The Transi Tomb in the Late Middle Ages and the Renaissance. Berkeley–Los Angeles: University of California Press.
Corden, Roy 2000. Literary and Learning through Talk: Strategies for the Primary Classroom. Buckingham: Open University Press.
Downes, Stephen 1996. „Szymanowski and Narcissism”. Journal of the Royal Musical Association 1(121): 58–81.
Franz Marie-Louise von 1993. The Feminine in Fairy Tales. Boulder: Shambhala.
Freud, Sigmond. On Narcissism: An Introduction. http://www.sigmundfreud.net/on-narcissism-pdf-ebook.jsp [31.05.2017].
Frye, Northrop 1992. „The Archetypes of Literature: ‘Forming Forms’ ‘Expanding Eyes’”. W: R. P. Sugg (ed.). Jungian Literary Criticism. Evanston: Northwestern University Press.
Hansen, Jim 2009. „The Revolution Within: Wilde’s Gothic and the Confines of Conversion”. W: J. Hansen. Terror and Irish Modernism: The Gothic from Burke to Beckett. NY: State University of New York.
Helman, Zofia 2012. „Szymanowski”. Hasło w: E. Dziębowska (red.). Encyklopedia Muzyczna PWM. Wyd. specjalne. Kraków: Polskie Wydawnictwo Muzyczne.
Hühn, Peter 2008. „Functions and Forms of Eventfulness in Narrative Fiction”. W: John Pier et al. (eds.). Theorizing Narrativity. Berlin: de Gruyter.
Ilic, Ljubica 2010. „Mirrors and Echoes: Beyond the Confines of the Theatrical Space”. W: L. Ilic. Music and the Modern Condition: Investigation the Boundaries. London–New York: Ashgate Publishing.
Johnson, Graham 2016. „Canticle V: The Death of St. Narcissus, op. 89 (1974)”. W: G. Johnson. Britten, Voice & Piano: Lectures on the Vocal Music of Benjamin Britten. NY: Routledge.
Kermode, Frank 1971. „The Banquet of Sense”. W: F. Kermode. Shakespeare, Spenser, Donne: Renaissance Essays. London: Psychology Press.
Kregor, Jonathan 2015. „Introduction”. W: J. Kregor. Program Music. Cambridge: Cambridge University Press.
Kristeva, Julia 2012. „Liberty, Equality, Fraternity, and… Vulnerability”. W: J. Kristeva. Hatred and Forgiveness. Transl. by J. Herman. New York: Columbia University Press.
Langer, Susanne K. 2009a. „On Significance in Music”. W: S. K. Langer. Philosophy in a New Key: A Study in the Symbolism of Reason, Rite, and Art. Cambridge–London: Harvard University Press.
Langer, Susanne K. 2009b. „The Fabric of Meaning”. W: S. K. Langer. Philosophy in a New Key: A Study in the Symbolism of Reason, Rite, and Art. Cambridge–London: Harvard University Press.
Leach, Edmund 1996. „Division of Anthropology; Lévi-Strauss in the Garden of Eden: An Examination of Some Recent Developments in the Analysis of Myth”. W: Robert A. Segal (ed.). Theories of Myth from Ancient Israel and Greece to Freud, Jung, Campbell, and Lévi-Strauss. New York: Garland.
Levine, Steven Z. 1994. Monet, Narcissus, and Self-Reflection: The Modernist Myth of the Self. Chicago: University of Chicago Press.
McDowell, John 2002. „From Expressive Language to Mythemes: Meaning in Mythic Narratives”. W: Gregory Schrempp, William Hansen (eds.). Myth: A New Symposium. Bloomington–Indianapolis: Indiana University Press.
Meelberg, Vincent 2004. „A Telling View on Musical Sounds; A Musical Translation of the Theory of Narrative”. W: Mieke Bal (ed.). Narrative Theory: Interdisciplinarity. Toronto: University of Toronto Press.
Owidiusz Naso, Publiusz 1995. Metamorfozy. Tłum. A. Kamieńska, S. Stabryła. Wrocław: Ossolineum.
Norton, Jody 2000. „Male Subjectivity in Contemporary American Poetry: Theory and Critical Practice”. W: J. Norton. Narcissus Sous Rature: Male Subjectivity in Contemporary American Poetry. London: Associated Universities Press.
Pasler, Jann b.d. „Entry Impressionism”. W: Grove Music Online. http://www.oxfordmusiconline.com/subscriber/article/grove/music/50026 [31.05.2017].
Pond, C[.] F. 2000. „Benjamin Britten and T. S. Eliot: Entre Deux Guerres and After”. W: John Xiros Cooper (ed.). T. S. Eliot’s Orchestra: Critical Essays on Poetry and Music. New York–London: Garland.
Porter Abbott, H. 2008. „Constituent and Supplementary Events”. W: H. Porter Abbott. The Cambridge Introduction to Narrative. Cambridge: Cambridge University Press.
Rimmon-Kenan, Shlomith 2002. „The Constitutive Units of the Surface Structure”. W: S. Rimmon-Kenan. Narrative Fiction. New York: Routledge.
Rosen, Charles 2014. „Teorie formy”. W: Ch. Rosen. Styl klasyczny: Haydn, Mozart, Beethoven. Tłum. R. Augustyn. Warszawa–Kraków: PWM.
Ryan, Judith 2004a. „Conclusion: Restorative Modernism”. W: J. Ryan. Rilke, Modernism, and Poetic Tradition. Cambridge: Cambridge University Press.
Ryan, Judith 2004b. „The Modernist Turn”. W: Judith Ryan. Rilke, Modernism, and Poetic Tradition. Cambridge: Cambridge University Press.
Samson, Jim. „Szymanowski”. Hasło w: Grove Music Online. http://www.oxfordmusiconline.com/subscriber/article/grove/music/27328 [31.05.2017].
Sizemore, Christine W. 1997. „Woolf as Foremother in Duffy’s A Nightingale in Bloomsbury”. W: Elizabeth J. Harrison, Shirley Peterson (eds.). Unmanning Modernism: Gendered Re-readings. Knoxville: University of Tennessee.
Summers, David 2007. „Narcissus and the Mirror without Stain”. W: D. Summers. Vision, Reflection, and Desire in Western Painting. Chapel Hill: The University of North Carolina Press.
Szymanowski, Karol 1921. Mythes. Trois poèmes op. 30. Violon et piano. Wien–Leipzig: Universal-Edition.
Tarasti, Eero 1979. Myth and Music: A Semiotic Approach to the Aesthetics of Myth and Music. Berlin: de Gruyter.
Tarasti, Eero 2002. Signs of Music: A Guide to Musical Semiotics. Berlin–New York: de Gruyter.
Todorov, Tzvetan 1981. „Analysis of the Literary Text”. W: T. Todorov. Introduction to Poetics. Transl. by R. Howard. Minneapolis: University of Minnesota Press.
Todorov, Tzvetan 1990. Genres in Discourse. Transl. by C. Porter. Cambridge: Cambridge University Press.
Unglaub, Jonathan 2006. „The Metaphorical Reflections in Echo and Narcissus and Rinaldo and Armida”. W: J. Unglaub. Poussin and the Poetics of Painting: Pictorial Narrative and the Legacy of Tasso. Cambridge: Cambridge University Press.
Pobrania
Opublikowane
Jak cytować
Numer
Dział
Statystyki
Liczba wyświetleń i pobrań: 1912
Liczba cytowań: 0
