Znaczenie martwej natury w poezji i eseistyce Czesława Miłosza

Ewa Dryglas-Komorowska

DOI: http://dx.doi.org/10.12775/AE.2011.006


The article provides a glance perspective on Miłosz’s poetry and essay writing through an issue of a relation with fine arts. The Author takes up a problem of both the method (realism; thesis of world’s reality—against nothingness) and the subject (generic scenes); she turns towards Miłosz’s interest in Chardin, Dutch still lives, Cézanne and passion for haiku, introducing a meditative motif. First of all, what is worthy of emphasizing here is the hypotyposis consideration (e.g. type of painting imagining) remaining in conflict with ecphrasis (work description itself).

Słowa kluczowe

Cz. Miłosz; poetry; essay; still life; art correspondence

Pełny tekst:


ISSN 2084-3550 (print)
ISSN 2391-7911 (online)

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