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• ‘Goth needed in Arcadia’. Considerations on the neo-gothic current in the Polish classicist architecture

  Ryszard Mączyński

  129-199

  2016-12-01
• An unknown episode from the biography of an architect Pompeo Ferrari connected with the reconstruction of Toruń after the siege of 1703

  Bartłomiej Łyczak

  81-106

  2016-05-31
• Witold Urbanowicz. Polish Pallottine-artist in Paris

  Jan Wiktor Sienkiewicz

  243-266

  2016-12-01
• Warm days and rainy days. Contribution to the study on the subject of immigration in the light of artists’ utterances

  Anna Rudek-Śmiechowska

  217-242

  2016-12-01
• The palace in Walewice and the palace in Mała Wieś: reflections on how – in the opinion of posterity – a disciple appropriated the masterpieces of his master, Stanisław Zawadzki

  Ryszard Mączyński

  113-242

  2015-01-31
• Zawadzki and Kamsetzer – testimony to the friendship and cooperation of the architects. Reflections on the Tyszkiewicz and Raczyński palaces in Warsaw

  Ryszard Mączyński

  159-220

  2021-12-27
• Local and supra-regional significance of Romanesque sculpture and its place in art history – the example of bas-reliefs from a church in Inowrocław

  Przemysław Waszak

  9-51

  2023-12-18
• Body of nature – nature of the body. Jakub Godziszewski’s painting

  Jan Sienkiewicz

  315-347

  2021-12-27
• Equipment of post-Jesuit church of St. Franciszek Ksawery in Grudziądz as an example of chinoiserie manner

  Justyna Kowalczyk

  73-107

  2021-12-27
• „Queen of Sheba before Solomon” – an unknown painting by Stephan Kessler from the National Museum in Warsaw

  Jacek Tylicki

  53-71

  2021-12-27
• The Poznań Guardhouse from the 18 th century: history – architecture – authorship

  Ryszard Mączyński

  53-99

  2023-12-18