Nowa perspektywa. Leksykograficzne badania nad afektem w operze przełomu XVIII i XIX w.
DOI:
https://doi.org/10.12775/LL.3.2024.007Sažetak
Recenzja: Małgorzata Lisecka, Głos – ciało – scena. Afektywność teatru operowego we francusko-włoskim dyskursie słownikowym 1768–1826, Seria Monografie Fundacji na rzecz Nauki Polskiej, Wydawnictwo Naukowe UMK, Toruń 2023.
Downloads
Objavljeno
How to Cite
Broj časopisa
Rubrika
License
This work is licensed under a Creative Commons Attribution-NoDerivatives 4.0 International License.
1. The authors give the publisher (Polish Ethnological Society) non-exclusive license to use the work in the following fields:a) recording of a Work / subject of a related copyright;
b) reproduction (multiplication) Work / subject of a related copyright in print and digital technique (ebook, audiobook);
c) marketing of units of reproduced Work / subject of a related copyright;
d) introduction of Work / object of related copyright to computer memory;
e) dissemination of the work in an electronic version in the formula of open access under the Creative Commons license (CC BY - ND 3.0).
2. The authors give the publisher the license free of charge.
3. The use of the work by publisher in the above mentioned aspects is not limited in time, quantitatively nor territorially.
Stats
Number of views and downloads: 114
Number of citations: 0
