Nowa perspektywa. Leksykograficzne badania nad afektem w operze przełomu XVIII i XIX w.
DOI :
https://doi.org/10.12775/LL.3.2024.007Résumé
Recenzja: Małgorzata Lisecka, Głos – ciało – scena. Afektywność teatru operowego we francusko-włoskim dyskursie słownikowym 1768–1826, Seria Monografie Fundacji na rzecz Nauki Polskiej, Wydawnictwo Naukowe UMK, Toruń 2023.
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