How Many Times Can One Die? The Death of Art
DOI:
https://doi.org/10.12775/RF.2022.025Słowa kluczowe
cognitive concept of metaphor, art, death of art, the end of art, Gianni VattimoAbstrakt
This article deals with the problem of death and the end of art. The discourse on the subject is still ongoing only due to the authority of Hegel, several contemporary authors and above all – this is my main thesis – a metaphorical projection inscribed in our language and the concept of art itself. This allows us to perceive organic features in art, thus contributing to the ease with which one can formulate a thesis on end or death. However, as I point out, these categories become highly problematic when any artistic phenomenon is described. The aim of the paper is to shed the light on these metaphors.
Bibliografia
Aristotle. 1991. “Topics”, transl. Arthur Wallace Pickard-Cambridge. In: Complete Works of Aristotle. The Revised Oxford Translation, ed. Jonathan Barnes. Vol. 1, 167–277. Princeton NJ: Princeton University Press.
Baudrillard Jean. 2005. “Aesthetic Illusion and Disillusion”. In: Jean Baudrillard, The Conspiracy of Art. Manifestos, Interviews, Essays. 111–129. New York: Semiotexte.
Baudrillard Jean. 2005. “No Nostalgia for Old Aesthetic Values”. In: Jean Baudrillard, The Conspiracy of Art. Manifestos, Interviews, Essays. 61–64. New York: Semiotexte.
Belting Hans. 1995. Das Ende der Kunstgeschichte: Eine Revision nach zehn Jahre. München: C.H. Beck.
Bilson Malcolm. 1980. “The Viennese Fortepiano of the Late 18th Century”. Early Music. Vol. 8. No. 2: 158–162.
Caroll Noël. 1998. “The End of Art?”. History and Theory. Theme Issue: “Danto and His Critics: Art History, Historiography and After the End of Art”. Vol. 37. No. 4: 17–29.
Chłopecki Andrzej. “Taniec postu z karnawałem. Co z muzyki XX wieku zabierzemy ze sobą w wiek XXI?” [“The Dance between Fasting and Carnival. What 21st Century will Take from 20th Century Music?”]. Gazeta Wyborcza, 19.01.2001. Access 29.10.2018, http://wyborcza.pl/1,75410,108683.html
Chojnacka Elżbieta. 1988. “Rozmowa z A. Chłopeckim” “[Conversation with A. Chłopecki]”, Studio. No. 8–10.
Danto Arthur C. 2014. After the End of Art: Contemporary Art and the Pale of History. Princeton: Princeton University Press.
Danto Arthur C. 1989. “Approaching the End of Art”. In: The Symbolic Order. A Contemporary Reader On The Arts Debate. Ed. Peter Abbs, 109–122. London: Routledge.
Danto Arthur C. 1986. “The End of Art”. In: Arthur Coleman Danto, The Philosophical Disenfranchisement of Art. 81–115. New York: Columbia University Press.
Eco Umberto. 1989. “Two Hypotheses about the Death of Art”. In: Umberto Eco, The Open Work. 167–179. Cambridge, Massachusetts: Harvard University Press.
Harnoncourt Nikolaus. 1988. “The Interpretation of Historical Music”. In:. Nikolaus Harnoncourt. Baroque Music Today: Music As Speech. Ways to a New Understanding of Music. 14–17. Portland–Oregon: Amadeus Press.
Hegel Georg Wilhelm. 1988. “Aeasthetics: Lectures on Fine Arts”. In: Helgel’s Aeasthetics: Lectures on Fine Arts, Georg Wilhelm Hegel. Vol. I. Trans. Thomas Malcolm Knox. Oxford: Oxford University Press.
Jäkel Olaf. “Hypotheses Revisited: The Cognitive Theory of Metaphor Applied to Religious Texts”. Metaphoric.de, 02.2002: 20–42. Access 29.10.2018,
https://www.metaphorik.de/sites/www.metaphorik.de/files/journal-pdf/02_2002_jaekel.pdf.
Jappe Anselm, Donald Nicholson-Smith. 1999. “Sic Transit Gloria Artis: ‘The End of Art’ for Theodor Adorno and Guy Debord”. SubStance. Vol. 28. No. 3. Issue 90: Special Issue: Guy Debord: 102–128.
Knox Thomas Malcolm. 1988. “Translator’s Preface”. In: Georg Wilhelm Hegel, “Aesthetics: Lectures on Fine Arts”. In: Helgel’s Aesthetics: Lectures on Fine Arts, Georg Wilhelm Hegel, vol. I, trans. Thomas Malcolm Knox, v–xiv. Oxford: Oxford University Press.
Kuspit Donald. 2004. “Mirror, mirror on the Worldly Wall, Why Is Art No Longer the Truest Religion of All?: The God That Lost Faith In Itself”. In: Donald Kuspit, The End of Art. 143–173. Cambridge: Cambridge University Press.
Lakoff George, Mark Johnson. 2003. Metaphors We Live By. Chicago and London: The University of Chicago Press.
Lakoff George, Mark Turner. 1989. More than Cool Reason: A Field Guide to Poetic Metaphor. Chicago–London: The University of Chicago Press.
Lakoff George. 1993. “The Contemporary Theory of Metaphor”. In: Metaphor and Thought. d. Anderw Ortony, 202–251.Cambridge: Cambridge University Press.
Porębski Mieczysław. 1999. “Fugimus Troas”. In: Już się ma pod koniec starożytnemu światu… Zmierzch, schyłek, upadek w historii sztuki. Materiały Seminarium Metodologicznego Stowarzyszenia Historyków Sztuki, Nieborów 5-7 listopada 1998, ed. Maria Poprzęcka, 9–20. Warszawa: Arx Regia.
Ryle Gilbert. 2009. The Concept of Mind. London–New York: Routledge.
Sachs Curt. 2006. The History of Musical Instruments. Mineola–New York: Dover Publications.
Vattimo Gianni. 1988. “The Death or Decline of Art”. In: Gianni Vattimo, The End of Modernity: Nihilism and Hermeneutics in Postmodern Culture. 51–64. Cambridge: Polity Press.
Witkiewicz Stanisław Ignacy. 1974. “O sztuce czystej” [“On Pure Form”]. In: Stanisław Ignacy Witkiewicz, Nowe formy w malarstwie. Szkice estetyczne. Teatr. 12–20. Warszawa: Państwowe Wydawnictwo Naukowe.
Pobrania
Opublikowane
Jak cytować
Numer
Dział
Licencja
Prawa autorskie (c) 2022 Magdalena Wołek
Utwór dostępny jest na licencji Creative Commons Uznanie autorstwa – Bez utworów zależnych 4.0 Międzynarodowe.
Statystyki
Liczba wyświetleń i pobrań: 705
Liczba cytowań: 0
