Introduction. Phantasmatic Roots of the Present

Autori

DOI:

https://doi.org/10.12775/LL.3.4.2025.001

Riferimenti bibliografici

Buchwald M., Kądziela K. (directors) (2023). 1670 [TV show]. Akson Studio; Netflix.

Demierski, P. (playwright), Strzępka, M. (director) (2011). W imię Jakuba S. [theater play]. Teatr Dramatyczny m.st. Warszawy im. G. Holoubka; Teatr Łaźnia Nowa; Festiwal Boska Komedia.

Holoubek, J. (director) (2018–2024). Rojst [TV show]. Showmax, Studio Filmowe „Kadr”; Netflix.

Holoubek, J. (director) (2025). Heweliusz [TV show]. Netflix.

Holoubek, J., Ignaciuk, B. (directors) (2022). Wielka woda [TV show]. Anna Kępińska; Jacek Dąbrowski-Udziela; Telemark.

Janion, M. (1991). Projekt krytyki fantazmatycznej. Szkice o egzystencjach ludzi i duchów. Pen.

Komasa, J. (director) (2014). Miasto 44 [film]. Michał Kwieciński; Akson Studio.

Kuciel-Frydryszak, J. (2018). Służące do wszystkiego. Marginesy.

Kuciel-Frydryszak, J. (2023). Chłopki. Opowieść o naszych babkach. Marginesy.

Pasikowski, W. (director) (2014). Jack Strong [film]. Klaudiusz Frydrych; Sylwia Wilkos; Roman Gutek.

Rak, R. (2019). Baśń o wężowym sercu albo wtóre słowo o Jakóbie Szeli. Powergraph.

Tokarczuk, O. (2014). Księgi Jakubowe. Wydawnictwo Literackie.

Zieliński, M. A. (director) (2023). Kos [film]. Leszek Bodzak; Aneta Hickinbotham; Daniel Baur.

Literatura Ludowa. Journal of Folklore and Popular Culture

Downloads

Pubblicato

2026-03-07

Come citare

1.
BOHUSZEWICZ, Paweł, KOBUS, Aldona e TAUER, Sebastian. Introduction. Phantasmatic Roots of the Present. Literatura Ludowa. Journal of Folklore and Popular Culture. Online. 7 marzo 2026. Vol. 69, no. 3-4, pp. 7-11. [Accessed 11 marzo 2026]. DOI 10.12775/LL.3.4.2025.001.

Fascicolo

V. 69 N. 3-4 (2025): The Past – Phantasms – Fantasies

Sezione

Editorial

Licenza

Creative Commons License

Questo lavoro è fornito con la licenza Creative Commons Attribuzione - Non opere derivate 4.0 Internazionale.

1. The authors give the publisher (Polish Ethnological Society) non-exclusive license to use the work in the following fields:

a) recording of a Work / subject of a related copyright;

b) reproduction (multiplication) Work / subject of a related copyright in print and digital technique (ebook, audiobook);

c) marketing of units of reproduced Work / subject of a related copyright;

d) introduction of Work / object of related copyright to computer memory;

e) dissemination of the work in an electronic version in the formula of open access under the Creative Commons license (CC BY - ND 3.0).

2. The authors give the publisher the license free of charge.

3. The use of the work by publisher in the above mentioned aspects is not limited in time, quantitatively nor territorially.

Stats

Number of views and downloads: 34
Number of citations: 0