The Tar Babies of Tar Baby by Toni Morrison
DOI:
https://doi.org/10.12775/LL.1.2.2026.008Schlagworte
Signifyin(g), folklore, culture, identity, tar babyAbstract
This article aims to analyse Tar Baby by Toni Morrison as a novel centred around the eponymous figure. The tar baby is a doll-like figure from Black American folklore, an object made of tar, rags, and buttons. In folklore sources, the function of the tar baby is difficult to understand or describe; it serves as a kind of decoy or trap, and its victims get attached to its sticky surface. As the novel draws close parallels between its two protagonists and the tar baby, Henry Louis Gates’s theory of Signifyin(g) is applied with a view to determine who is the eponymous thing. Although the characters represent two opposing outlooks on life, they exert almost inextricable attraction to one another. Each of them, just like tar baby, exhibits viscosity that glues, and, hence, traps the other in this stormy relation. The paper follows this trope focusing on the characters’ sticky properties, which resonate with the doll in the folktale. The tar baby is linked to the signifying monkey, a tempting trickster from Yoruba mythology, who attempts to manipulate signification, subvert dominant cultural codes, and bring on some kind of contact with other characters. As the theory focuses largely on the ambiguous and the symbolic functions of the object, the paper endeavours to discover what the discussed characters stand for and how they manifest their tar baby qualities. The conclusion that follows is that both Jadine and Son can be perceived as the tar babies of the story, especially tar babies to each other, trapping and sticking to one another.
Literaturhinweise
Encyclopaedia Britannica (n.d./a). African American Folktale. Retrieved January 12, 2025, from https://www.britannica.com/art/African-American-folktale
Encyclopaedia Britannica (n.d./b). Tar Baby. Retrieved January 12, 2025, from https://www.britannica.com/topic/Tar-Baby-African-American-folktale
Gates, L. H. (2014). The Signifying Monkey. A Theory of African American Literary Criticism. Oxford University Press.
Harris, C. J. (1904). The Tar-Baby and Other Rhymes of Uncle Remus. D. Appleton and Company.
Harris, T. (1991). Fiction and Folklore: The Novels of Toni Morrison. University of Tennessee Press.
Koizumi, I. (2011). Magical Realism in Toni Morrison’s “Tar Baby”. Studies in English and American Literature, 46, 71–88.
Kolehmainen, T. (2018). “He Mought, en Den Again He Moughtent”: The Ambigous Man in Toni Morrison’s Tar Baby. American Studies in Scandinavia, 50(1), 63–82.
Morrison, T. (1991). Tar Baby. Picador.
O’Meally, R. G. (1981). Tar Baby, She Don’ Say Nothing. Callaloo, 11(13), 193–198.
Rayson, A. (1998). Foreign Exotic or Domestic Drudge? The African American Woman in Quicksand and Tar Baby. MELUS, 23(2), 87–100.
Scott, H. J. (2007). “Song of Solomon” and “Tar Baby”: the subversive role of language and the carnivalesque. In J. Tally (ed.), The Cambridge Companion to Toni Morrison (pp. 26–42). Cambridge University Press.
Tally, J. (ed.) (2007). The Cambridge Companion to Toni Morrison. Cambridge University Press.
Taylor-Guthrie, D. (ed.) (1994). Conversations with Toni Morrison. University Press of Mississippi.
Downloads
Veröffentlicht
Zitationsvorschlag
Ausgabe
Rubrik
Lizenz

Dieses Werk steht unter der Lizenz Creative Commons Namensnennung - Keine Bearbeitungen 4.0 International. 1. The authors give the publisher (Polish Ethnological Society) non-exclusive license to use the work in the following fields:
a) recording of a Work / subject of a related copyright;
b) reproduction (multiplication) Work / subject of a related copyright in print and digital technique (ebook, audiobook);
c) marketing of units of reproduced Work / subject of a related copyright;
d) introduction of Work / object of related copyright to computer memory;
e) dissemination of the work in an electronic version in the formula of open access under the Creative Commons license (CC BY - ND 3.0).
2. The authors give the publisher the license free of charge.
3. The use of the work by publisher in the above mentioned aspects is not limited in time, quantitatively nor territorially.
Stats
Number of views and downloads: 16
Number of citations: 0