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Literatura Ludowa. Journal of Folklore and Popular Culture

Race and Horror in HBO’s Lovecraft Country
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  3. Vol. 66 No 3 (2022): Scary Reality: Fear in Narrative Cultures /
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Race and Horror in HBO’s Lovecraft Country

Auteurs

  • Mariusz Woźniak Nicolaus Copernicus University in Toruń https://orcid.org/0000-0002-7057-6676

DOI :

https://doi.org/10.12775/LL.3.2022.005

Mots-clés

horror, Lovecraf, racism, white supremacy, antiracism, otherness, monster, America in 1950s

Résumé

This article is an analysis of the HBO series Lovecraft Country in terms of the elements of racism and traditional horror elements present in it, including elements typical of the prose of one of the genre’s creators, H. P. Lovecraft. The purpose of the article is to explore typical horror elements that appear in the series and show how the authors of the series combine traditional horror with the horror of everyday life in the oppressed Black community in 1950s America. At the beginning of the article, the series and its main idea are described. The article then takes up the subject of the portrayal of racism in the series, specific examples of which are presented and discussed in terms of their compatibility with the realities of America at the time. The article also discusses elements related to the antiracism movement – situations presented in the series that exemplify the character’ struggle against racism are shown. Then the otherness depicted in the series is discussed – not only racial otherness, but also gender and sexual otherness; in this part of the article, otherness is given as a reason for oppression by society. The article also explores the use of traditional elements of horror genre in the series – it indicates which scenes in the series use the traditional concepts of the horror genre, and attempts to show which characters in the series function as monsters in the story. At the end of the article, it is explained how the series draws inspiration in the works of Lovecraft, whose name appears in the very title of the series.

Références

Baldwin, J. (1965). James Baldwin debates WIilliam F. Buckley at Cambridge University’s Union Hall [PDF file]. Folger Shakespeare Library. https://www.folger.edu/sites/default/files/NJADO-Baldwin.pdf

Cohen, J. J. (1996). Monster Culture (Seven Theses). In J. J. Cohen (ed.), Monster Theory: Reading Culture (pp. 3–26). University of Minnesota Press.

Green, M. (Writer), Sackheim, D. (Director). (2020, August 23). Whitey’s on the Moon (Season 1, Episode 2) [TV series episode]. In M. Green, J. J. Adams, J. Peele, Y. Demange, D. Knoller, B. Carraro, B. Stephenson, D. Sackheim (Executive Producers), Lovecraft’s Country. Afemme; Monkeypaw Productions; Bad Robot Productions; Warner Bros. Television Studios.

Green, M. (Writer), Kidd, J. (Writer), Winton, S. (Writer), Dunye, C. (Director). (2020, September 13). Strange Case (Season 1, Episode 5) [TV series episode]. In M. Green, J. J. Adams, J. Peele, Y. Demange, D. Knoller, B. Carraro, B. Stephenson, D. Sackheim (Executive Producers), Lovecraft’s Country. Afemme; Monkeypaw Productions; Bad Robot Productions; Warner Bros. Television Studios.

King James Bible. (2017). King James Bible Online. https://www.kingjamesbibleonline.org/ (Original work published 1769).

Lovecraft, H. P. (1912). On the Creation of Niggers [Manuscript]. Howard P. Lovecraft collection, Brown Digital Repository. https://repository.library.brown.edu/studio/collections/bdr:jyhg75bu/?q=On+the+Creation+of+Niggers&search-scope=id_bdr%3Ajyhg75bu

Scott-Heron, G. (1970). Whitey on the Moon [Musical Score]. Flying Dutchman Records.

Literatura Ludowa. Journal of Folklore and Popular Culture

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Publiée

2022-12-01

Comment citer

1.
WOŹNIAK, Mariusz. Race and Horror in HBO’s Lovecraft Country. Literatura Ludowa. Journal of Folklore and Popular Culture. Online. 1 décembre 2022. Vol. 66, no. 3, pp. 93-108. [Accessed 4 juillet 2025]. DOI 10.12775/LL.3.2022.005.
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Numéro

Vol. 66 No 3 (2022): Scary Reality: Fear in Narrative Cultures

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Articles

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© Mariusz Woźniak 2023

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Ce travail est disponible sous licence Creative Commons Attribution - Pas de Modification 4.0 International.

1. The authors give the publisher (Polish Ethnological Society) non-exclusive license to use the work in the following fields:

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e) dissemination of the work in an electronic version in the formula of open access under the Creative Commons license (CC BY - ND 3.0).

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3. The use of the work by publisher in the above mentioned aspects is not limited in time, quantitatively nor territorially.

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