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Literatura Ludowa. Journal of Folklore and Popular Culture

I Am in Eskew: Soundscape, Cityscape and Mindscape of Hostile Architecture
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  3. Bd. 66 Nr. 2 (2022): Podcasting: Re-oralization of Contemporary Culture /
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I Am in Eskew: Soundscape, Cityscape and Mindscape of Hostile Architecture

Autor/innen

  • Aldona Kobus Uniwersytet Mikołaja Kopernika w Toruniu https://orcid.org/0000-0001-6646-8640

DOI:

https://doi.org/10.12775/LL.2.2022.004

Schlagworte

hauntology, ghost city, media representation, mental illness, hostile architecture

Abstract

Am in Eskew is the epitome of an independent podcast, written, produced and performed by two people – Jon Ware and Muna Hussen. It tells the story of David Ward (Jon Ware), a man trapped in the city of Eskew, where nightmares become real. The story offers manifold answers and interpretations, depending which genre and mode of reception we choose to follow. On a literal level it is a fantasy horror story about a cursed city that tortures its entrapped residents by creating cityscapes full of monsters, spatial and body horror (Eskew as a landscape); on a metaphorical level I Am in Eskew is a representation of mental illness and mental disorders (Eskew as a mindscape). The present article discusses the use of medium in I Am in Eskew and the capabilities of podcasts in creating an immersive horror story (Eskew as a soundscape) as well as possible interpretations of the podcast, focusing on the concept of hostile architecture as an expression of the late capitalist inclination to dehumanize various aspects of human life (space, relationships etc.). The article discusses hostile architecture as a form of narration and narration as a form of hostile architecture through the lense of Derridian hauntology.

Literaturhinweise

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Blanco, M.P., Peeren, E. (2013). Introduction: Conceptualizing Spectralities. In: M.P. Blanco, E. Peerren (Eds.), The Spectralities Reader: Ghost and Hauntings in Contemporary Cultural Theory (pp. 1–28). London: Bloomsburry.

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Derrida, J. (1994). Specters of Marx: The State of Debt, the Work of Mourning and the New International (trans. P. Kamuf). New York: Routledge.

Feld, S. (2005). Places sensed, senses placed: Toward a sensuous epistemology of environments. In: D. Howes (Ed.), Empire of the Senses: The Sensual Culture Reader (pp. 179–192). Oxford and New York: Berg.

Gordon, A. (2008). Ghostly Matter: Haunting and the Sociological Imagination. Minneapolis: University of Minnesota Press.

Hencock, D., McMurtry, L. (2018). ‘I Know What a Podcast Is’: Post-Serial Fiction and Podcast Media Identity. In: D. Llinares, N. Fox, R. Berry (Eds.), Podcasting: New Aural Culures and Digital Media (pp. 81–106). Cham: Palgrave Macmillan.

Johnstone, B. (1990). Stories, Community and Place: Narratives from Middle America. Bloomington: Indiana University Press.

Lefebrave, H. (1991). The Production of Space. Oxford: Blackwell Publisher.

Lynch, K. (1990). The Image of the City. Cambridge: MIT Press.

McCumber, A. (2018). “It Would Make More Sense for It to Be There Than Not”: Constructing Night Vale as a “Place”. In: J.A. Weinstock (Ed.), Critical Approches to »Welcome to Nigh Vale«. Podcasting between Weather and the Void (pp. 69–82). Cham: Palgrave Macmillan.

McHugh, S. (2016). How Podcasting Is Changing the Audio Storytelling Genre. The Radio Journal: International Studies in Broadcast and Audio Media, 14(1), 65–82.

Mheallaigh, K.N. (2018). Pseudo-Documentarism and the Limits of Ancient Fiction. The American Journal of Philology, 129(3), 403–431.

Pistrick, E., Isnart, C. (2013). Landscapes, soundscapes, mindscapes: Introduction. Etnográfica, 17(3), 503–513.

Ripley, C. (2007). Introduction: In the place of sound. In: C. Ripley, M. Polo, A. Wrigglesworth (Eds.), In the Place of Sound: Architecture, Music, Acoustics (pp. 1–11). Newcastle: Cambridge Scholars Publishing.

Ryden, K. (1993). Mapping the Invisible Landscape: Folklore, Writing and the Sense of Place. Iowa City: University of Iowa Press.

Smith, N., Walters, P. (2018). Desire Lines and Defensive Architecture in Modern Urban Environments. Urban Studies Journal, 55(13), 1–16.

Soltani, F. (2018). Inner Ears and Distant Worlds: Podcast Dramaturgy and the Theatre of the Mind. In: D. Linnares, F. Neil, R. Berry (Eds.), Podcasting: New Aural Cultures and Digital Media (pp. 189–208). Cham: Palgrave MacMillan.

Ware, J. (2018). Eskew Interview (M. Chapman, Interviewer). https://lordgoopy.tumblr.com/post/190360901198/the-saturday-interview-i-am-in-eskew

Ware, J. (2018–2019). I Am in Eskew [Audio podcast]. Apple Podcasts Preview. https://podcasts.apple.com/gb/podcast/i-am-in-eskew/id1339770338?mt=2

Literatura Ludowa. Journal of Folklore and Popular Culture

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Veröffentlicht

2022-11-28

Zitationsvorschlag

1.
KOBUS, Aldona. I Am in Eskew: Soundscape, Cityscape and Mindscape of Hostile Architecture. Literatura Ludowa. Journal of Folklore and Popular Culture. Online. 28 November 2022. Vol. 66, no. 2, pp. 45-63. [Accessed 8 Dezember 2025]. DOI 10.12775/LL.2.2022.004.
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Bd. 66 Nr. 2 (2022): Podcasting: Re-oralization of Contemporary Culture

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