“Dark fandoms” and the “dark side” of fandom: Breaking the inner taboos of fan studies
DOI:
https://doi.org/10.12775/ll.2.2021.001Keywords
fandom, fan studiesReferences
Bacon-Smith, C. (1992). Enterprising Women: Television Fandom and the Creation of Popular Myth. Philadelphia: University of Pennsylvania Press.
Broll, R. (2018). Dark Fandoms. An Introduction and Case Study. Deviant Behavior, 41(6), 792-804. doi: https://doi.org/10.1080/01639625.2019.1596453
Click, M. A. (2019). Anti-Fandom: Dislike and Hate in the Digital Age. New York: New York City Press.
Gray, J. (2003). New Audiences, New Textualities: Anti-fans and Non-fans. International Journal of Cultural Studies, 6(1), 64-81.
Gray, J. (2005). Antifandom and the Moral Text: Television Without Pity and Textual Dislike. American Behavioral Scientist, 48(7), 840-858. doi: https://doi.org/10.1177/0002764204273171
Gray, J., Sandvoss, C., & Harrington, C. L. (eds.). (2007). Fandom: Identities and Communities in a Mediated World. New York: New York University Press.
Gray, J. (2021). Dislike-Minded: Media, Audiences, and the Dynamics of Taste. New York: New York University Press.
Jenkins, H. (1992). Textual Poachers: Television Fans and Participatory Culture. New York: Routledge.
Jenkins, H. (2007). Kultura konwergencji. Zderzenie starych i nowych mediów (przeł. M. Bernatowicz, M. Filiciak). Warszawa: Wydawnictwa Akademickie i Profesjonalne.
Jensen, J. (2012). Fandom jako patologia: konsekwencje definiowania. Panoptikum, 11(18), 56–72.
Kobus, A. (2016). Burzenie czwartej ściany. Strategie budowania relacji twórców popkultury z fankami. W: A. Krawczyk-Łaskarzewska, & A. Naruszewicz-Duchlińska (red.), Seriale w kontekście kulturowym. Widzowie – fani – twórcy (s. 147–164). Olsztyn: Instytut Polonistyki i Logopedii UWM.
Kobus, A. (2018). Fandom. Fanowskie modele odbioru. Toruń: Wydawnictwo Naukowe UMK.
Massanari, A. (2017). #Gamergate and The Fappening: How Reddit’s algorithm, governance, and culture support toxic technocultures. New Media and Society, 19(3), 329–346. doi: https://doi.org/10.1177/1461444815608807
Pande, R. (ed.). (2020). Fandom, Now in Color: A Collection of Voices. Iowa: University of Iowa Press.
Proctor, W., & Keis, B. (2018). Editors’ Introduction: On Toxic Fan Practices and the New Culture Wars. Participations, 15(1), 127–42.
Raitanen, J., & Okasanen, A. (2018). Global Online Subculture Surrounding School Shootings. American Behavioral Scientist, 62(2), 1-15. doi: https://doi.org/10.1177/0002764218755835
Salter, A., & Stanfill, M. (2020). A Portrait of the Auteur as Fanboy: The Construction of Authorship in Transmedia Franchises. Jackson: University Press of Mississippi.
Scott, S. (2019). Fake geek girls: Fandom, Gender, and the Convergence Culture Industry. New York: New York University Press.
Stanfill, M. (2019a). Exploiting Fandom: How the Media Industry Seeks to Manipulate Fans. Iowa: University of Iowa Press.
Stanfill, M. (2019b). Introduction: The Reactionary in the Fan and the Fan in the Reactionary. Television & New Media, 21(1), 1-12. doi: https://doi.org/10.1177/1527476419879912
Downloads
The publisher's shop:
Published
How to Cite
Issue
Section
License
Copyright (c) 2021 Aldona Kobus
This work is licensed under a Creative Commons Attribution-NoDerivatives 4.0 International License.
1. The authors give the publisher (Polish Ethnological Society) non-exclusive license to use the work in the following fields:a) recording of a Work / subject of a related copyright;
b) reproduction (multiplication) Work / subject of a related copyright in print and digital technique (ebook, audiobook);
c) marketing of units of reproduced Work / subject of a related copyright;
d) introduction of Work / object of related copyright to computer memory;
e) dissemination of the work in an electronic version in the formula of open access under the Creative Commons license (CC BY - ND 3.0).
2. The authors give the publisher the license free of charge.
3. The use of the work by publisher in the above mentioned aspects is not limited in time, quantitatively nor territorially.
Stats
Number of views and downloads: 939
Number of citations: 0